In this second part of the conversation, Ward and musician Neil Speers pick up after a recording glitch and talk about what it means to āmake itā in music. Neil reflects on the work he believes that takes, the other creative paths he pursued, and how his ADHD diagnosis has helped him think through obstacles in his process.
Neil talks about the effort he thinks a music career at the highest level would require, including songwriting, performing, recording and connecting with listeners. He also reflects on photography, his portrait studios and the work he enjoyed helping people feel more comfortable in front of a camera.
The conversation turns to his ADHD diagnosis and ideas he has tried for getting unstuck, such as changing his workspace or taking music gear to a coffee shop. Neil describes those as tools that help him manage his own process. He and Ward also imagine a shared assistant arrangement for independent creatives.
Read part one of this conversation
Transcribed from the recording and lightly edited for readability. Unclear words are marked in brackets. The conversation reflects the speakers’ own experiences and views.
Host: Welcome back. Sorry about the little glitch we had there, but it appears once again there are ghosts in the machine. Weāre going to continue with this recording. Neil gets the job of mixing the two parts together. Congratulations. You feel like you [unclear]? Well, you are number one. Something like that, anyway. Sorry about that, folks. Hopefully itās not too much of an inconvenience. Weāre going to finish off here. Thoughts on, and Iāve got to do the air quotes, āmaking itā and realizing what you havenāt done?
Neil: I quite often see posts on places like Reddit, Facebook and music forums talking about what it takes to make it. How can I make it? I particularly like, āAm I too old to make it?ā from a 16-year-old. When I think about making it in terms of selling millions of albums or billions of streams online, having a worldwide fan base and doing concerts, if thatās your definition of making it, it can be done. But most musicians arenāt willing to put in the work. I know I certainly havenāt. I do know what it would take.
Neil: Between doing other things, including photography, and being ADHD and not always doing the things I know I should be doing… Although I had a coach say you should never say āshould.ā āShouldā and ācouldā are two different words, with a few different connotations. I havenāt done the things I could have done to make it.
Neil: To make it to that level takes a few things, all of which I think can be learned. Like I said earlier about being a musician, you have to be willing to suck long enough to actually get good at it. I havenāt had that mindset in a lot of the areas that would have made it more possible to make it on the world stage.
Neil: Some of those things include putting in 12-hour days just on my music. There are various aspects to that: songwriting, writing a hundred songs to get the 10 youāre going to put out, co-writing with world-class musicians. Iāve written a ton of songs, but I havenāt written a hundred to get to the 10. You could spend an hour a day connecting with people who could be fans, who could be super fans. You could spend an hour or two a day on singing. Iāve come a long way.
Neil: There was a time when I was called the backup singer. If I got near the mic, theyād say, āPlease back up. Back up some more. Back up a little bit more. Good, yep, just a little more.ā Iād be outside. Thatās what I was like as a singer in my 20s. Iāve learned so much about singing in the last 20 years, and I coach other people on that stuff now. But did I take lessons and learn how to sing properly as a kid? No, I didnāt. I didnāt spend time writing songs. If I wanted to make it, I should have actually stuck with music instead of going back to school and becoming a journalist.
Neil: I love a quote by Jim Carrey, who said that if youāre likely to fail at anything, why not fail at the thing you want to get done? Thereās a good chance you can make it, so why not go for it? His father was apparently a great comedian himself, really funny and very smart, but he became an accountant because he was afraid to try. Jim Carrey said that was such a shame. His father got laid off and couldnāt find work again. So why not fail as a comedian instead of failing as an accountant?
Neil: Another thing I havenāt done is spend a ton of time making videos or performing online. Those are things you can do, and any musician can do. If you do it consistently and authentically, not trying to be the next person you idolize, but being authentically yourself and strong in that, ignoring the instincts that tell you that you canāt do it, or that you should play it safe by trying to be like this band or this performer, and going all in on being 100 percent yourself, actually 110 percent yourself. You should step up who you are more.
Neil: Those are the things I havenāt done. Iām not going to complain that I didnāt do them. I realize that if Iād wanted to make it on the world stage, doing those things would have given me a lot better chance. Itās no surprise Iām not getting millions of streams of my music.
Neil: Thatās not to say I havenāt enjoyed performing and gotten a really good response from people. Iāve enjoyed recording music. Iām really enjoying working with my friend. Those are all great things. Iāve had a wonderful career in photography. I used to own two portrait studios. Iāve really enjoyed helping people overcome their internal problems about being photogenic, asking, āAm I too ugly to be photogenic?ā Helping people overcome that has been a wonderful gift and a blessing.
Neil: I canāt complain about not making it as a musician, because I was busy doing other things. But I know that if making it was my goal, thatās what I would have to do. A lot of musicians donāt put in the work and then say itās way too hard to make it these days. They just havenāt put in the work. Yes, it is hard. Itās really hard. To succeed in any field at the top levels, it takes that kind of work and dedication. It is hard, but it can be done. You just have to put in the work and not stop because you feel youāre not worthy of it. You continue because it has to be your drive. You have to be a little nuts to be a musician.
Host: That definitely helps. You have to continually put yourself through that. Definitely.
Host: One last thing, because weāre running a bit long. How has the process of writing, producing, playing instruments and all that changed since your most recent diagnosis?
Neil: I worked with a coach for ADHD. Thereās a local group I got hold of, and they get sponsors to pay for people who arenāt doing as well financially. Luckily, I got into that program. One of the last things she told me, which I thought was absolutely brilliant, is that people with ADHD, not always but quite often, are really strong at problem-solving.
Neil: Approach all these little things, like, āIām having trouble getting going on this,ā or, āIām having trouble organizing that,ā as problems you have to solve in order to get on with it. Figure out whatās going to work for you with ADHD to get yourself to a place where you can do that. I keep trying to remember that.
Neil: Physical issues have been throwing a kink in that because I keep having to go for MRIs and doctorās appointments. Itās been constant. But when thatās done and said and done, I think I have the tools to tell myself, āWhat is my problem? How am I going to get past this problem? What can I do at each step to get past it?ā Knowing Iāll lose interest in the short term, what do I do? Maybe I change my whole office around to give myself a fresh place to do it. Maybe I take my iPad to a coffee shop, put on headphones and play around. I have a keyboard I can take with me, and I can play into my iPad and produce music that way. Maybe those are things I can do. Now itās a case of realizing my diagnosis has helped me because Iāve been given tools to help manage it.
Host: Thatās what I was wondering. You would figure out an issue before you knew about your ADHD, and now that you know it, itās not like itās a great thing or anything, but you know there are ways to manage it and how to do it without going to extremes. Thatās what I was learning about there.
Neil: Back when I was running my portrait studios, how I got around my ADHD, which I didnāt know about at the time but worked brilliantly for me, was to hire people to do the stuff I wasnāt able to do. That was awesome. Iāve been thinking, itās hard as a solo musician or solopreneur, somebody working at home, to afford to hire a virtual assistant. Maybe I should find a way to get a co-op deal where everybody chips in an amount and they get three hours of somebodyās time to do the things they canāt do on their own because of things like ADHD. Itās a thought.
Host: Yep. It is how we adapt to whatever weāre given.
Neil: Thatās exactly it.
Host: I want to thank you again, Neil, for coming on. Wonderful talking to you, as always. We should do this more often. I have to get down to Calgary soon, before the snow really starts flying, so weāll meet up for coffee again and have another chat while weāre there. Once again, thank you to Neil Speers for being on In Conversation With, Season 4, Episode 1. Have yourself a good day, everybody, and [unclear] happy mental health to you.